(18 February 1815 - 26 August 1869), also known as Henri Leys, was a Belgian painter and printmaker.
Henri Leys was born and died in Antwerp. He studied with Mathieu Ignace Van Bree (1773-1839) at the Koninklijke Academie voor Schone Kunsten in Antwerp and then with his brother-in-law Ferdinand De Braekeleer (1792-1883). At the start of his career, he worked with the Belgian Romantic painter Egide Charles Gustave Wappers (1803-1874). Both artists were interested in nationalistic subjects painted in styles that owe much to the example of 16th- and 17th-century Flemish painting. In 1835 Leys went to Paris where he visited the studio of Eugene Delacroix and met Paul Delaroche. During the 1840s, Leys began painting scenes set in 16th-century Antwerp, combining details studied from life with a deliberately archaizing style reminiscent of 16th-century German painters like Albrecht Derer and Quinten Matsys. Some of the pictures have specific historical subjects, but others are genre scenes. With these pictures, he earned a following among many younger artists in Belgium as well as a considerable reputation in France, where he won a gold medal at the International Exhibition in Paris in 1855 for his historical painting The Mass of Berthal de Haze (Royal Museum of Fine Arts, Brussels). In 1862 Leys was created a baron by King Leopold I. At the time of his death, he was engaged in decorating the interior of the Antwerp Town Hall with monumental frescoes depicting the city's history (1863-9). There are easel replicas of these in Brussels. Among the artists who studied with him are James Tissot and Sir Lawrence Alma-Tadema. His best-known pupil is his nephew Henri De Braekeleer (1840-1888).
Related Paintings of Henri Leys :. | nativity | Italian Antiphonary | South American landscape | nne- marie-louise de medicis, c. | On the Last Tramp | Related Artists:
Giambattista Pittoni(1687?C1767) was an Italian painter of the late-Baroque or Rococo period, active mainly in his native Venice.
Pittoni is best known for his "grand-manner" canvases depicting religious, historical, and mythological subjects (such as Sophonisba and Polyxena). He was a co-founder of the official painter's academy in Venice (in competition to the old fraglia or painter's guild), the Accademia di Belle Arti di Venezia, and he succeeded as President (1758?C1761) his contemporary Giovanni Battista Tiepolo. Pittoni never left his native Venice, but completed commissions from German, Polish, Russian, and Austrian patrons. His mature palette was noted, as was Tiepolo's, for his lightness of tone. Besides Tiepolo, Pittoni's influences were Giovanni Battista Piazzetta, Sebastiano Ricci, and Antonio Balestra. His paintings were of a Rococo style, but later became more sedate in their approach towards Neoclassicism.
Norman Garstin(28 August 1847 ?C 22 June 1926) was an Irish artist associated with the Newlyn School of painters.
He was born in Caherconlish, Co. Limerick, Ireland, and was involved in various professions such as journalism and gold mining in South Africa. In 1885 he befriended members of the Newlyn School and settled there a year later, moving to nearby Penzance in 1890.
The Rain it Raineth Every Day 1889His work consisted primarily of small oil panels in the plein air style, something he had picked up from the French Impressionists such as Edouard Manet and Edgar Degas.
Alfred WallisBritish
1855-1942
1942). English painter, fisherman and scrap merchant. Although the exact date of Wallis birth is doubtful, he stated in letters to Jim Ede, one of his greatest patrons, that he was born on the day of the fall of Sebastopol. He claimed to have gone to sea at the age of nine and was involved in deep-sea fishing, sometimes sailing as far as Newfoundland. About 1875 he married Susan Ward, a woman 21 years his senior, and shortly afterwards gave up deep-sea fishing to become an inshore fisherman. In 1890 he moved to St Ives, Cornwall, where he set up as a marine scrap merchant. In 1912 he retired. His wife died in 1922, whereupon he took up painting to keep himself company, as he told Ede.